We enjoy video song all at moment. all of lover boy are like video song and move.
There are the political stories, and the erotic. Some secrets to protect those adults from truths, which hurt more than their chosen, accepted myths. Other secrets to protect a child, letting her keep her fleeting innocence. Maybe the film’s title comes from the idea that the night catches us with our guards down, and secrets more accessible.
There are three or so pivotal relationships are tense, each carrying historical baggage. On the political tip, Marcus must move past or through Dwayne AKA “Do Right” [Jaime Hector], a former Panther and local thug, who just knows that Marcus’ snitching killed a Panther. On the erotic tip, he rekindles with his lost lover, Patty (That’s Patricia, damn it!) after what she calls abandonment.
Now for a little math. Many of the characters are interesting. Five of them are important. Three of those are pivotal: Juan, Malamadre, which sounds like Bad Mother, the inmate who leads the prison’s most violent section, and Elena, Juan’s wife, who plays a incidental, and passive, but pivotal role. The men compete for the lead, at least in our minds. Their personas are disparate, but compel our attention equally. There is Juan, who should probably question working as a prison guard. He’s an affable husband who might not be enough of an Alpha male, seems more like a library manager or a grocer than a prison guard. He belongs in a suburb, mowing his lawn, not mowing down an inmate who has a shank poised against his jugular.
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